Blog


ART MATERIALS for WORKSHOP 2026





affiliated link


DAY AND NIGHT SCENES

WORKSHOPS with ZUFAR BIKBOV

 

 

These are suggestions. If you prefer, please, bring your own preferred painting setup. If you are more comfortable using different materials or equipment, that’s perfectly fine.


Easel 

For outdoor painting, please bring one of the following:

* French easel

* Pochade box setup that accommodates the recommended canvas sizes (see below)

* Any other portable plein air painting setup you regularly use

For indoor studio sessions, studio easels will be provided. You are also welcome to use your own outdoor setup if you prefer.


Oil Paints 


I recommend using artist-grade oil paints whenever possible.

 
Please avoid studio-grade or imitation paints for important pigments such as cadmiums and cobalts whenever possible. While artist-grade paints cost more, they contain genuine pigments (listed on the tube) rather than substitutes, resulting in cleaner, more predictable color mixtures. This very important for Cadmiums, Cobalts and even Titanium White.

 
I personally prefer Utrecht Artists' Oil Colors, which offer excellent quality at a reasonable price. For workshops and studies, I also use some Van Gogh Oil Colours.

 
Recommended Palette

 
* Titanium White

* Cadmium Lemon Yellow

* Cadmium Orange (preferably Utrecht)

* Alizarin Crimson Permanent (preferred) or Alizarin Crimson

* Ultramarine Blue

* Cerulean Blue (Imitation or Hue is acceptable)

* Raw Sienna

* Burnt Umber

* Raw Umber (optional)

* Transparent Oxide Yellow (Van Gogh)

* Permanent Sap Green Deep (Utrecht)  

* Emerald Green (Van Gogh)


BRUSHES

Bring the brushes you normally enjoy painting with.

I recommend having a combination of stiffer and softer brushes, as each serves a different purpose and provides greater flexibility while painting.

Bristle Brushes (at least 3–4 ones)

Natural bristle or stiff synthetic brushes, Recommended sizes: #6–12

Soft Brushes (at least 4–6 ones)

Soft synthetic or Kolinsky-style brushes suitable for oil or acrylic painting (not watercolor brushes). Recommended sizes: #2–8

Also bring: 

* One small #0 or #00 brush for signatures and fine details.


VALUE STUDY SETUP 

Acrylic paints and painting panels for value studies will be provided.
Please use your own brushes from Brushes list above.


OIL PASTEL (optional) 

1-2 sticks (grey or brown color) of inexpensive brand like Van Gogh oil pastel


PALETTE KNIFE 

 

Bring any palette knives you normally use for mixing paint or applying paint.


PAINTING SURFACES

Bring pre-stretched canvases, canvas panels, or primed painting panels.
It is always better to bring one or two extra painting surfaces.

For this workshop, we will need aat least four painting surfaces:

Smaller size 

* 8 × 10 or

* 9 × 12

Larger size 

* 11 × 14 or 

* 12 × 16 or

* 16 × 20 (if you are comfortable painting larger works quickly)

SUMMARY: 

For Day scene Painting : 2 canvases/panles. These may be white or lightly toned with a warm beige, light ochre, or raw sienna wash.

* one small panel or canvas

* one larger panel or canvas

For Nocturne Painting : 2 canvases/panles. These should be toned with a warm gray or neutral brown (Raw Umber or Burnt Umber works well).

* one small panel or canvas

* one larger panel or canvas


TONING SURFACE

The toned surface should be a thin, transparent mid-value wash—not a dark opaque layer.
If your panels are acrylic-primed (acrylic gesso), they can easily be toned beforehand with diluted acrylic paint.


PALETTE

Bring a palette or another flat surface suitable for mixing paint.
I personally prefer a glass palette with a glass scraper because it is quick and easy to clean.


PAINTING MEDIUM

Bring at least one oil painting medium.
I recommend one of the following faster-drying mediums:

* Galkyd Gel Medium (my choice) or Galkyd Lite Gel Medium

 

* Liquin (Gel, strong odor, may be not comfortable indoor)


* Galkyd Medium (Liquid)

* Galkyd Lite Medium (Liquid)

These are especially useful for the first painting layers because they allow the paint to set up more quickly.
If using a liquid medium, please also bring a palette cup.

 


BRUSH CLEANING 

 


Please bring one of the following:

* Turpenoid Natural (My choice) - not available in CT stores and online except Amazon


* Odorless Mineral Spirit e.g. Gambol

* Any oil for brush-cleaning


Also bring a separate palette cup or container for your brush cleaner.


Please note: Your painting medium and brush cleaner are different products. You will need both.


Reference Material 


Reference photographs for the workshop will be provided and projected onto a large TV screen.


If you would prefer to work on your own project, please bring:

* High-quality printed reference photographs, or

* An iPad or other tablet device.


 Other Supplies 

 
* Paper towels

* Apron or painting clothes (recommended)

* Sketchbook (approximately 6 × 9 to 11 × 14)

* Pencil

* Gloves

* Snack in a Lunch-box

* Water or other beverage


Questions? 


If you have any questions regarding materials, please don’t hesitate to contact me.

Text (preferred): 203-206-3283

 
Email: [email protected] (email responses may take longer)

I look forward to working with you!

Don’t worry if you don’t have every item on this list. The goal is to help you arrive prepared, not to purchase plenty of new equipment. If you’re unsure whether your current materials are suitable, simply contact me —we’ll make it work.

 


If you prefer shop online, here is my affiliated link with GREAT DEALS from BLICK with free shipping for over $79.






September 23-24, 2017

"American Landscape: Focus on Trees, Aerial perspective, Composition" is a two-day intensive in-studio workshop at the Arts Escape studio in Southbury, CT. Focus is on challenges of painting typical and expressive elements of New England landscape. Group of 8 artists. All levels are welcome.

Each student will be given individual attention and time along workshop. Prior to workshop I will review of student's level and will help to set the goals, so please, sign up early.
________________

TREES are one of key element of any landscape, and often one of the most challenging object to paint.

As all of you know COMPOSITION is important quality of the painting, lack of which can not be enough compensated with great colors and texture. Special emphasis will be pointed towards creation balance and dynamics.  And PERSPECTIVE will add 3-dimentional feel to your work.









This workshop will help you greatly improve your approach to painting a landscape elements and structure as fall season starts!

In New England it is the best time to create solid understanding of balance of details and masses while painting trees observing their changes, and creating artworks.




You can work along the class main reference, we choose mutually,  or/and bring your own image, you always dreamed to work on.

As usually my students will be treated with art supply gifts."




RECOMMENDED LIST OF SUPPLY




AE STUDIO and GENERAL INFOMATION:


________________




Time: 9 am to 5 pm both days. (usually we run active painting 9:30 am to 5:30 pm).

My extra demo at the end of the day will be great point to review just learned information.

This 2-days workshop fee is $249.






________________
Accepted payment: PayPal, Credit card, check, or cash.
Please make checks payable to ARTS ESCAPE Inc.

Mailing and physical address of the studio:


 

 

Arts Escape 88 Main Street South

 

Southbury, CT 06488

Contact. Hours Mon. – Thurs.   10 am – 4 pm
call (203) 586-1474

 

___________________

 

 

 

TESTIMONIALS

 

 

 

" Your  workshop was outstanding! The value of doing preparatory thumbnail  value studies, how to do correct reflections and create the colors of  Spring were all important lessons for me. Your patience, kindness and  individual attention to each student was remarkable. You are a fabulous  artist and teacher."  (Elaine McCombs)

 

 

 

"Showing us your exquisite work after class doubled my pleasure!" (MaryEllen Cleary)

 

 

 

"Thank you for being generous with your knowledge. You taught us with clear and thoughtful instruction, a full heart and with your inspiring passion that came through to us with every brushstroke you made.
Truly a memorable experience. Looking forward to another workshop." (Mary Summa)

 

_______________________

 

 





It is only 8 seats per workshop, so early sign-up will be a guarantee to use this opportunity.


Comments


Leave a Comment

Remember Your Info
Check this box if you want email updates when people comment on this post